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Galerie Edwynn Houk is pleased to present an exhibition of photographs by Moroccan-born artist, Lalla Essaydi. The exhibition will include work from two of her ongoing series: Harem (2009-2014) and Bullets (2009-2014). Lalla Essaydi was born in Morocco, lived in Saudi Arabia for many years, was educated in Europe and the United States and now lives in New York.

Lalla Essaydi's large-scale photographs revolve around the harem, the odalisque and the veil—recurring themes that have dominated the European imagination of the Arab world. Combining calligraphy, henna and 19 th -century Orientalist painting traditions along with her personal experiences, Essaydi seeks to capture the complex and multi-faceted experiences of Arab women.

Edwynn Houk Gallery is pleased to announce an exhibition of large-scale photographs by Lalla Essaydi from the artist’s most recent series, Harem Revisited and Bullets Revisited.The show will be on view from 16 May through 22 June 2013 with an opening reception for the artist on Thursday, 16 May from 6-8pm.

Lalla Essaydi, explores the image of women in Islamic society. The follwoing images are from her very cool series entitled Harem in which her subjects are wrapped in robes and henna which echo the decorative Arabic tiles and patterns that wall the incredible interiors.She explores issues surrounding the role of women in Arab culture and their representation in the western European artistic.

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Lalla Essaydi is a contemporary Moroccan photographer and painter. View Lalla Essaydi’s 188 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. See available photographs, and prints and multiples for sale and learn about the artist.

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This exhibition brings together three of Essaydi’s most powerful photographic series: Les Femmes du Maroc, Harem and Harem Revisited. Lalla Essaydi was born and raised in Morocco and educated in the West before moving to Saudi Arabia for several years. The United States-based artist explores issues of gender, cross-cultural identity and the.

Lalla Essaydi’s highly staged tableaux employ the domestic spaces of her native Morocco to challenge the Orientalist imaging of Arab women. New Beauty at Jenkins Johnson Gallery brings together sixteen photographs from the artist’s two most recent series, Harem Revisited and Bullets Revisited, which expand her investigation of the harem as an architectural and social structure of.

Moroccan-born, New York-based photographer Lalla Essaydi (b. 1956) explores issues surrounding the role of women in Arab culture and their representation in the western European artistic tradition. Her large-scale photographs are based on nineteenth-century Orientalist paintings but work to subvert those stereotyped and sexualized representations.

Converging Territories. Lalla Essaydi, a Moroccan-born, Paris-trained artist, created the Converging Territories series as a means of examining the culture in which she grew up from the Western position she now occupies. “In my art, I wish to present myself through multiple lenses as artist, as Moroccan, as Saudi, as traditionalist, as.

Jenkins Johnson Gallery, San Francisco is pleased to announce their second exhibition of large-scale photographs by internationally acclaimed photographer, Lalla Essaydi, featuring the artist’s most recent series, Harem Revisited and Bullets Revisited. Essaydi is currently exhibiting at Museum of Fine Arts, Boston, and at the Baku Museum of Modern Art, Azerbaijan.