Paper type: Essay Lamassu is an Neo-Assyrian Akkadian term used to designate a composite creature, conceived of as a winged lion- or bull-figure with a human head. As protective deities or genii, larger than life-size statue-blocks of lamassi (pl.) were placed on either side of late Assyrian palace doorways and entrances in order to guard against the entry of evil and chaotic forces.
Lamassu essaysLamassu is an Neo-Assyrian Akkadian term used to designate a composite creature, conceived of as a winged lion- or bull-figure with a human head. As protective deities or genii, larger than life-size statue-blocks of lamassi (pl.) were placed on either side of late Assyrian palace door.Lamassu are human-headed, eagle-winged, bulls or lions that once protected cities in Mesopotamia. They were believed to be very powerful creatures, and served both as a clear reminder of the king’s ultimate authority and as symbols of protection for all people.The lamassu is a celestial being from ancient Mesopotamian religion bearing a human head, bull's body, sometimes with the horns and the ears of a bull, and wings. It appears frequently in Mesopotamian art.
A Visitation to an Art Museum. A Visitation to an Art Museum It is amazing how an early museum visitation can impact students at the beginning of an Art Appreciation class.. I also had a chance to meet some professionals in the art field who can make life easier for anybody in a museum environment.
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Backstory. The lamassu in museums today (including the Louvre, shown in our video, as well the British Museum, The Metropolitan Museum of Art, and National Museum of Iraq in Baghdad, and others) came from various ancient Assyrian sites located in modern-day Iraq. They were moved to their current institutional homes by archaeologists who excavated these sites in the mid-19th century.
Total text length is 11,377 characters (approximately 7.8 pages). Excerpts from the Paper The beginning: The Guardian of Persepolis: A Symbolic and Formal Analysis of the Bas-Relief Sculpture of the Lamassu at the Eastern Entrance of the Gate of All Nations This art study will examine the bas-relief sculptures of the Lamassu as a the symbolic protectors of Persepolis at the Gate of All Nations.
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